Our very first Your Cinema Your Review comes from Jean Noble, who saw Stan and Ollie on the Screen Machine in Newtonmore and was impressed with the authenticity of Steve Coogan and John C. Reilly as Stan and Ollie. If you’ve seen the film on the Screen Machine as well, and you have a response to Jean’s opinion of the film, submit your own review below. 

Bitter Sweet by Jean Noble

Stan and Ollie is a poignant tale based on the final tour of the American comedians, Stan Laurel and Oliver Hardy. While the plot is straightforward it is not without unexpected twists. Thankfully, the diction is clear and comprehensible and is unspoiled by overbearing background music.

By maintaining straight faces, Stan and Ollie make the simplest and corniest routines hilarious – as in their act at the railway station when they separately exit and entrance two doors, contriving to miss each other over and yet again with split-second timing. By which time the audience, both the filmed audience on-screen and those of us in the Screen Machine, are chortling. It was interesting that a somewhat reticent audience in Newtonmore were soon laughing out loud, possibly bolstered by the laughter from the theatre audience in the film itself.

Some of the laughs come in anticipation of predictable actions. Everyone can see a minor disaster about to happen (except, supposedly, Stan and Ollie). In that way, some of the simplest and funniest gags are reminiscent of Peter Seller’s acting of Inspector Clouseau in the Pink Panther films.

The egos of the two heroes go through a roller coaster during the performance. From international fame on film, Stan and Ollie plummet to playing to half-filled provincial theatres in Britain. The 1950s settings are convincing as are the English characters, from the smooth-talking manipulative tour manager (who might double as a 21st century politician) to the upper crust couple more interested in themselves than Stan and Ollie, to the uncomplicated souls who are so sure Laurel and Hardy’s career had ended many years earlier.

But, what made the film memorable, in addition to the comedy, was the genuine platonic affection between the two men which is expressed in the simplest of words, by communion of thought, and through the silences of their mutual understanding.

Response to First Minister’s Statement

The Scottish Government announcement on March 16 about its roadmap out of lockdown proposed 17 May as the date when cinemas may be able to reopen, which coincides with when they should open in England. We’re therefore planning on the assumption that the Screen Machine will be able to resume touring in that week in May, and as soon as the Scottish Government confirms the date, we’ll be ready to advertise our first dates and locations.

Meanwhile, we hope you’ll enjoy Small Screen Machine, our new video on demand streaming service. Just follow the link at the top of the homepage.

The Screen Machine Team

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